at the Los Angeles home where this historic chat takes place, I try to
offer Morrissey - our post-punk poet of misery - my two pence about potential
questions for Joni Mitchell, one of the few popular artists who actually
deserve the artist part of that tag. I suggest a discussion on their shared
reputation for exploring downbeat themes - in other words: "Who's more
blue?" "Why have a discussion?" Morrissey asks promisingly, "Why
not a fight?"
As it happens,
there were no fights, though, true to form, Morrissey did delicately chide
Mitchell for smoking and eating meat - this is the man, after all, who
once titled a Smiths album Meat is Murder. And, of course, he ignored
most of my suggestions and even started off by bonding with Mitchell -
who was promoting her new Hits and Misses anthologies - at our
expense by rubbing a little salt into old critical wounds. We expected
nothing less. -- David Wild
I just want to say thank you and I'm very pleased to be doing this. Joni
Myth No. 1: Is it true that Rolling Stone voted "The Hissing of Summer
Lawns" Worst Album of the Year?
Mitchell: I carried it in my mind that it was Worst Album, but when we
researched, it was the Worst Album Title [laughs]. I think they
were pretty hard on the project in general.
Also, Rolling Stone once printed a family tree of your conquests. Is
Yeah. I never saw it. I think I was called Old Lady of the Year - some
facetious thing that was hurtful.
Did you care?
Yeah, oh, I did, unfortunately.
Were you promiscuous?
In terms of the times, I guess we all were. It was a hedonistic time,
Are you now promiscuous?
No, no. I've always been a serial monogamist. But there was a time when
you were traveling - a traveling woman, like a traveling man - and there
were some brief encounters.
Do they still refer to you as a female songwriter? It's such a ludicrous
title. It implies limitations. It implies that it's not a real songwriter.
To use the term "female songwriter" implies that the word "songwriter"
belongs to men.
They tend to lump me always with groups of women. I always thought, "They
don't put Dylan with the Men of Rock; why do they do that to me with women?"
Are you aware of sexist language?
I'm not a real feminist. I've become a little more so as I've gotten older.
In England, feminism is very unpopular at the moment.
It was ineffective from the beginning. I remember when the word first
came up. As a matter of fact, Warren Beatty and Jack Nicholson and I used
to go out at the time for dinner quite a bit, and they were amused that
I'd never heard about the feminists. I was kind of a media dropout. I
was lucky if I could name the president. I was much more inner-world oriented.
Don't you find the modern rock-pop interview has to be very confessional,
otherwise the public is not very interested?
I put a lot of truth in my songs, and still they're always poking at me
to ferret out hidden meanings. But there aren't any. This one guy laid
into me for about 15 minutes, trying to get me to confess that "The Sire
of Sorrow (Job's Sad Song)" was autobiographical. I said, "I do believe
God wrote it. I plagiarized it from three different translations and put
Don't you find, because your music is confessional, you have to explain
yourself repeatedly in much more depth than anyone who makes nonsense,
throwaway, useless music?
I don't think of myself as confessional. That's a name that was put on
me. The confessional poets like [Sylvia] Plath, whom I read later when
they started calling me confessional, most of their stuff seemed contrived
to me and not as greatly honest as it was touted to be. I never wanted
to act the part of the poet, with pearls of language and wisdom falling
from my lips. The first time I met Prince, he said [at one point], "Are
you tired, or are you hungry?" And I think I said, "I'm tireder than I
am hungry." It was some grammatical error - still sounds right to me.
The point is not to confess. I've always used the songwriting process
as a self-analysis of sorts. Like the Blue album - people were
kind of shocked at the intimacy. It was peculiar in the pop arena at that
time, because you were supposed to portray yourself as bigger than life.
I remember thinking, "Well, if they're going to worship me, they should
know who they're worshipping."
I read an interview with a big movie star where he said, "I'm the kind
of guy who likes to take his dick out in public." The comment had absolutely
no reference to the lines that preceded or followed it. It reaffirmed
that interviews now seem useless to the public unless they are incredibly
What the American press seems to want to do to an increasing degree reminds
me of Oriental torture. It's like how Chairman Mao accomplished brainwashing:
You ask more and more intimate questions.
Reading your interviews, I can sense the stifled yawns. Do you ever
feel you are far too intellectual for all this messing around?
I don't think of myself as an intellectual.
Well, you are though.
Not really. It's a nice place to visit; I wouldn't want to live there.
I spend as little time there as possible.
Joni Myth No. 72: A small, modular footnote in British pop history
is the rumor that the Sex Pistols sacked their original bass player, Glen
Matlock, reportedly because he listened to your music. Were you aware
I found it interesting that in between the Sex Pistols and Joni Mitchell,
there was supposed to be a massive divide.
There wasn't. When I met Johnny Rotten, I liked him immediately. He was
younger than I was, but he was a lot like I was in high school; fashion
conscious ... kind of pale and pimply and avoiding the sun. But I'm a
punk. I've never really been in the mainstream. Not that being a punk
is a good thing, necessarily [laughs].
You have an extraordinary balance with words. Are you a word snob?
Are there any words you would never use?
I don't think I'm prejudiced against any words per se, except the ones
that come up in psychology, because they've ruined the English
language - neurotic, ego. Doctors love to levy neurotic
at just about every woman who crosses their threshold. I had trouble with
God for a while. I cornered Bob Dylan at a party one time and said,
"You're always throwing that God word in. What does God
mean to you?" He said, "It's just a word people use." I said, "Yeah, but
you're using it. What does it mean?" And he couldn't answer me. Then he
went through his born-again thing about three years later, and he came
up to me [in Dylan's voice]: "Joni, remember the time you asked
me about God and the devil? I'll tell you now." And he launched into some
real Christian rhetoric. I said, "No, no. I didn't ask you about the devil.
It's God I was having problems with."
I must say that "The Hissing of Summer Lawns" was the first album that
completely captivated me.
Was that the one you came in on?
No, the first one was "Blue."
People seem to have a problem after Court & Spark - everything
was measured unfavorably against it.
I know you don't like to talk about the plethora of junior Joni's.
Does it wound you that some of these vague Suzannas might be selling more
concert tickets than you?
I've had that hurt. I'd like to line my pocket a little. They're too good
not to recoup cost. That's what Hits and Misses are about
- like Dog Eat Dog seemed a little negative in the rah-rah 80s,
but it's the 90s now. It's my optimism that people are ready to look at
Did you notice the P.J. Harvey sleeve, which mimics the swimming backward
photo of "Summer Lawns?"
Or Rickie Lee Jones - her first album sleeve bore great resemblance
The beret and smoking Mores. I remember seeing that picture used with
some ad campaign and thought, "Wait a minute. When did I take this picture?"
No guilt about smoking a cigarette?
Oh, no, no, no. I'm a smoker, for better or worse.
It does kill a lot of people, doesn't it?
So what? [laughs]
What other lyricists would you happily tip your hat to?
Here and there. Leonard Cohen here and there.
I think you're the greatest lyricist that has ever lived.
Oh, my goodness!
I think you're very underrated.
Well, I'm very underrated by the things I'm compared to that aren't nearly
as good. But Dylan - there are things that he can do that I can't.
Don't you find it's all a matter of letting the dust settle? And there
are fashions for the year, and maybe a younger generation wants their
own new people?
I've had 21-year-olds say, "I'm with you," because I give some snotty
interview saying I don't like anything on the radio. It's building off
something that wasn't very good in the first place. Back before the singer/songwriter,
a very competent musician did the music, and a very competent lyricist
did the words. But everybody does both now, so you've got a lot of mediocrity.
Do you mind if I throw a few names out at you? If you don't want to
comment, please don't. Chrissie Hynde.
I went to see her play in New York, and she was going, "I just played
this concert in California, and damn women were screaming at me. I didn't
get in this business to have damn women screaming at me." Then Monday
night, I played the Fez in New York, Chrissie came down, and I forget
what she was drinking, but it seemed like she consumed quite a lot of
it, and all through the show she was like, "Rock it, Joni!" It was such
an interesting juxtaposition - I loved it! There was a bit of fur flying
between her and Carly Simon. As I understand it, Carly told her to shut
up, and she wrapped her hands around Carly's throat [laughs].
How about Janis Ian? Did you hear her song "Stars?"
Uh, I don't think so.
How about Melanie?
Kind of acquainted. You have to forgive me. I haven't taken in a lot of
I don't think she is really considered contemporary.
No, but I mean she was once.
I'd like to ask you what Ross Perot means to you, because I find him
a truly magnetic figure, and I can't come across anybody in this country
who is really standing behind him. I find his speeches extraordinary and
compulsive. Is he jeered because he is small?
He's like a throwback kind of character. He's like an old American - there's
something about him that reminds you of the old America that I like very
Who are your favorite poets?
I don't like poetry: always smelled a rat. I liked some Yeats. I set one
Yeats poem to music, but I disagreed with a couple of ideas; I put in
some qualifications, and I rewrote a part that I thought he hadn't really
That's very kind of you [laughs]. Kirk Douglas was my favorite actor
until I read his autobiography of his candid passion for killing animals.
Why do you think the human race treats animals so badly?
Let's look at our culture. If the Western world's guided by anything,
it's by the Bible. Our origin story puts the emphasis on the woman screwed
by the snake, which is a pretty stupid interpretation of that story.
Have you seen the film "Babe?"
I loved it.
I saw it on pay-per-view and was fascinated that it was promoted by
McDonalds. Why do you think people feel the need to eat animals?
It's just abstract. You inherit it culturally. I can speak for myself,
because I still eat meat, and I love my cats.
Would you eat your cats?
God, no! That would be cannibalism.
If you sing sad songs, do you think your audience will feel better
if they get the sense that you walk offstage and take the sadness with
you rather than jump on a Harley and fly down the highway?
I was at a cafe, smoking somewhere, and a girl came up to me and said,
"I'm a manic depressive. I love your music, but I hate pictures of you.
Every time I see you, you're smiling and it makes me mad!" So there's
a person who thinks I'm suffering, she's suffering. If they see evidence
otherwise, they feel I'm inauthentic. Whereas I feel more ambidextrous:
I suffer, I enjoy; I suffer, I enjoy.
What's the saddest song you've heard?
Rachmaninov's Rhapsody on a Theme of Paganini: sweet, sorrowful,
sad, beautiful, longing, romantic stuff. Up until I was thirteen, comedy
was all that mattered to me. Why didn't I become a writer of funny songs?
I think because of that beautiful melody.
Where do you fit in now?
Well, I should fit in a little better. There was a time when I was excommunicated
from everything. Then there began to be people making similar kinds of
hybrids - Sting being one - and as the airwaves would open up for them,
I would say to my management, "Surely you can get me into the game."
That's the trap pioneers fall into: You pave the way so people can
reap what you've sown.
I guess so. And the music business has changed so much. [In the early
days of rock & roll] there weren't that many systems to play records on
- not everybody had one.
Joni, thank you for your patience. Thank you for many years of pleasure
and I'm sure many to come.
Thank you. I think it should be a good piece, with some real meat on the
Well, I prefer a different analogy.