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Players
Andrew Paresi (Drums and Percussion)
Mark E. Nevin (Guitars)
Bedders (Bass)
Steve Heart (Keyboards)
Seamus Beaghen (Keyboards)
Nawazish Ali Khan (Violin)
Officially
Released Versions
Studio Version: Kill Uncle album (February 1991) - Produced
by Clive Langer and Alan Winstanley
Live
History
We
were subjected to this song only too frequently during the Kill Uncle
tour. It is preserved for all "posterity" on Live In
Dallas.
Lyrical
Changes
The lyric sheet has the line "tough and cold and pale" listed
as "tough and hard and pale".
Critical
Commentary
"'Asian
Rut' is classically bonkers. Only Morrissey could have decided to answer
critics by writing a song where an Asian teenager attempts to revenge
his best friend's death and is murdered by English boys, the whole shebang
set to a funeral march with grim violin stylings top it. The pudding is
nearly over-egged, but not quite." - David Quantick, New Musical
Express, 1991
"'Asian Rut' reprises 1988's 'Bengali In Platforms' and, to a marching
beat spiced with the sort of music often associated with flock wallpaper,
it pictures a 'tooled-up Asian boy' in a light both sympathetic and alarmed,
as if Morrissey would like to be able to identify more closely with the
mild-mannered victim-turned-avenger but can't close the cultural gap."
- Mat Snow, Q
Comtesse
Review (as if you care)
"Asian Rut" is one of Morrissey's least popular songs and it's
easy to see why. The dirge-like music is completely uninteresting, and
the lyrics, which depict the revenge-inspired battle between a drugged-out,
"tooled-up Asian boy" and a group of "English boys,"
is uncomfortable, to say the least, coming as it does after the controversial
"Bengali In Platforms". If Morrissey was seeking to silence
his critics who had labeled him a racist due to the ambiguous lyrics of
"Bengali...", he did a very poor job of it. This song makes
you wish that Morrissey would just leave some topics alone. "Asian
Rut" also initiates another terrible tradition - that of placing
a dirge as the second or third song on an album. After the frisky "Our
Frank" opens the album, "Asian Rut" quickly comes along
to put the brakes on the festivities. This pattern would repeat itself
on Maladjusted (where the "Asian Rut" sound-alike "Ambitious
Outsiders" rains on the parade) and Ringleader of the Tormentors
(where "Dear God Please Help Me" throws a spanner in the
works). It's almost as if Morrissey is deliberately trying to sabotage
his albums. "Hmmmmm... that first song is catchy and fun... we've
got to throw a funeral march at 'em now to stop 'em in their tracks!"
At least, that's how it FEELS listening to Kill Uncle. "Asian
Rut" isn't catchy, it isn't artistic, it isn't moving, and it says
nothing to me about my life.
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